Spill Tab records at Winston House with Dubway West!

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NYC artist Spill Tab joined our West-coast crew from Dubway West at the Winston House (LA) late last month for a livestream concert and recording of some of her latest music. We’ve been honored to work a series of these performances, with the venue playing an excellent and safe host for both audio and visual crews as well as the band–no easy feat during the pandemic.

Check out some behind-the-scenes pictures of the show above, and find the video for recent track “PISTOLWHIP” below.

#TBT: Jake Shimabukuro with Crossover Media

This Thursday, we’re giving a shout-out to one of our favorite production companies, Crossover Media, and looking back to a session in 2020 in which they brought famed ukulele player Jake Shimabukuro into the studio for a series of interviews with radio stations all over the country. We frequently work with Crossover on similar sessions, in which top musical talent–often but not exclusively Classical musicians and composers–conducts interviews all over the country or world from one of our booths.

If you’ve never heard Jake Shimabukuro play, you can start below with the video that first propelled him to international recognition, a cover of George Harrison’s “While My Guitar Gently Weeps.

#TBT: Beecher's Fault - Matchstick Kings

This week, we want to share a lovely video from Brooklyn indie band Beecher’s Fault recording their single "Matchstick Kings” in our Mezzanine Studio space, all the way back in 2013! It’s amazing to see how, while equipment and techniques are always coming and going, some things remain the same–like our mic locker, natural live room acoustics, and sense of fun in the studio.

This song was picked up by indie film The Outfield (2015) for use in it’s trailer, which you can catch here, pun intended; the session was recorded by studio engineer Chris Abel, and mixed by Dubway West head honcho Chris Montgomery.

Brian Russell Carey and singers track in the Mezzanine

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Local multitalented musician Brian Russell Carey brought a group of beautiful voices through our Mezzanine studio last month, tracking multipart harmonies as part of his newest project.

The session was engineered by Dubway’s Zach Grappone, and made judicious use of the Mezzanine’s 40-foot high ceilings and professionally designed acoustics. With baffles between singers, producers are able to get the best of both worlds in this room–individual spot mics for balancing in post, and a complete stereo image with the natural space of the room for a feeling of immersive accuracy.

Follow Carey’s work at the link above, and drop us a line for your next acoustic recording project!

Jerry Wonda archives vintage Fugees tapes with Dubway

Jerry “Wonda” Duplessis.

Jerry “Wonda” Duplessis.

Grammy Award-winning producer and bassist Jerry Wonda Duplessis linked up with Dubway engineer Louis Fisher today for a transfer of a 2” tapes of the classic Fugees album, The Score. Jerry Wonda has had a long and illustrious career, working with artists like Miguel, Wyclef Jean, and many more, in addition for his work in the Fugees. This tape transfer gives Wonda total access to the multitrack recording of the album’s songs, which is an excellent way to preserve an album for longevity, or for addition re-mixes or masters down the line.

The Score contains some of the Fugees most famous songs, and is consistently ranked among the best albums of the 90’s. It was a real treat to hear it on the 2”!

We’d be remiss if we didn’t link to at least one of this albums many hits, so below we’ve got what may be the best Enya sample of all time. Keep up with Jerry Wonda at his Twitter, linked above, and give us a call if you too have a 2”–or any other tape format–that you’d like to preserve for the future.

Composer Robert Nath records with piano and strings in the Mezzanine.

Pianist Jonathan Comisar buried in the piano amidst a heap of microphones. Foreground: Robert Nath’s score for the piece “V’shamru”, part of the larger work being recorded. Photo taken in the Mezzanine room.

Pianist Jonathan Comisar buried in the piano amidst a heap of microphones. Foreground: Robert Nath’s score for the piece “V’shamru”, part of the larger work being recorded. Photo taken in the Mezzanine room.

Composer Robert Nath is working on an ambitious musical setting of Jewish songs, and has been recording at Dubway over the course of the past few months to bring this vision to life. Along with producer, arranger, and pianist Jonathan Comisar, an all-star crew of musicians, and Dubway engineer Keenan DuBois, Nath is building a lush musical world for these songs to inhabit.

Recordings have taken place in the Mezzanine studio, with DuBois and the musicians forced to get creative in recording a classical ensemble in traditional stereo during the distancing-era of COVID (as you can see from the array of stereo techniques in the photo above!). In another hallmark of the current times, Nath produces and monitors the recordings remotely via an internet link to the studio’s control room, allowing him to make performance calls just as if he were in the room with the engineer.

The pieces currently have their musical parts recorded, and are heading into vocal recording and mixing next. Stay tuned!

Dawn Derow puts finishing touches on cabaret project, "My Ship"

Dawn Derow’s performance piece, My Ship: Songs From 1941, won her a MAC Award for Outstanding Female Vocalist. Now, the show–which you can see clips of above, and the entire first half of here–is getting the album treatment, and is nearly closed to finished.

Sessions have been wide-ranging to get a full, old-fashioned orchestra feeling. Along with Derow and her producer Paul Rolnick, Dubway engineer Zach Grappone recorded trumpet, saxophone, trombone, a layered string section, clarinet, flute, and more, to capture the feeling of the time.

Check out some video of the sessions at Derow’s Instagram (linked at the top), and stay tuned for more!

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Progressive Theatre's "The Gospel At Colonus" trailer

Check out the trailer for Progressive Theatre’s adaptation of Lee Breuer’s The Gospel At Colonus – recorded in Dubway’s Mezzanine studio, with Gregory Omar Osborne, Darnell White, and Dubway engineer Zach Grappone serving in producing/engineering capacities.

You can read more about the show and company at the New Jersey Stage article from late last year, and at our previous write up of the sessions.

Jonathan Reid Gealt's vocalists continue tracking, featuring Ashley Jayy and India Carney

India Carney, partially hidden behind an AKG C12.

India Carney, partially hidden behind an AKG C12.

Two more superstar vocalists have added their talents to Jonathan Reid Gealt’s upcoming album, Archetype! Dubway West played host to the amazing Ashley Jayy (Prince, 3rdEyeGirl, Farnell Newton) and India Carney (Lady Gaga, Billie Eilish, H.E.R., Mavis Staples) during two separate sessions in late March, with engineers Chris Montegomery and Patrick Pak.

Ashley Jayy singing, foregrounded by the pandemic’s omnipresent Zoom call and the Audient console

Ashley Jayy singing, foregrounded by the pandemic’s omnipresent Zoom call and the Audient console

These sessions continue a series of vocal recordings that Gealt has been conducting at both Dubway HQ in Manhattan, and Dubway West in LA–sometimes using both facilities simultaneously for remote monitoring or producing. Engineers Pascal McGilvray-Guard and Keenan DuBois have contributed to the project during some of these previous sessions, in addition to the aforementioned Dubway West team.

"The Mind and Music of Chopin" by Richard Kogan, completes work at Dubway

Acclaimed performer, psychiatrist, and lecturer Richard Kogan assembled his usual team at Dubway last month for a new lecture-recital on the music of Frédéric Chopin. The piece, which was filmed at the Curtis M. Phillips Center for the Performing Arts, is out now and can be viewed above.

Producer Thomas Mowrey.

Producer Thomas Mowrey.

Dr. Kogan and his longtime producer-collaborator Thomas Mowrey–an extraordinary classical producer with a long career at Deutsche Grammaphon and Decca–have created a series of these visual documents with the Dubway team, which transport the viewer into Kogan’s engrossing lecture-recitals on the psychology of famous composers in the Western art-music canon. Previous entries in the series have covered Beethoven, Tchaikovsky, Bernstein (an artist Mowrey worked with on numerous occasions) Mozart, and more, with Kogan’s masterful playing at the emotional core of each performance.

Dubway editor and engineer Pascal McGilvray-Guard edited the video, and engineer Keenan DuBois handled all sound duties for the studio.

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Dr. Kogan has presented his programs on the psychological origins of musical creativity at some of the world’s most prestigious venues, including the World Economic Forum in Davos and Rockefeller University, in New York. 

Cantor Shani Cohen records, films, at Congregation Beth Elohim, Brooklyn

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Cantor Shani Cohen brought our audiovisual recording rig to the beautiful Congregation Beth Elohim in Park Slope last month, for a shoot of cantorial music in several locations within the synagogue. Dubway engineer Marc Frongillo was on-location to operate recording unit’s microphones–a trio of Neumann mics used to capture the piano and voice–and camera.

Marc Frongillo monitors the setup. Right: Shani Cohen.

Marc Frongillo monitors the setup. Right: Shani Cohen.

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Jonathan Comisar tracks new music with Camille Dietrich

Left to right: Camille Dietrich, Keenan DuBois, and composer Jonathan Comisar.

Left to right: Camille Dietrich, Keenan DuBois, and composer Jonathan Comisar.

Composer/pianist Jonathan Comisar returned to Dubway for a new project of original compositions for piano and cello. He was joined in the session by Camille Dietrich, a regular collaborator, and studio engineer Keenan DuBois. Comisar has previously recorded at Dubway with composer Robert Nath, on sessions that have also involved Dietrich and DuBois. While the project is still in its early days, it appears to be moving fast, and we may have more news on it soon!

Randall Goosby in conversation with Fred Child for Minnesota Public Radio

Violin prodigy Randall Goosby recorded a remote conversation from our studios last week, with renowned radio host Fred Child (host of Performance Today) interviewing the virtuosic instrumentalist over a Zoom connection into our Manhattan studios.

The session was recorded by Dubway engineer Louis Fisher, and produced in partnership with American Public Media and, of course, Minnesota Public Radio.

Have 30 minutes to spare? Check out this beautiful recording of Goosby playing Beethoven’s 9th Violin Sonata (Op. 47) with Zhu Wang–another superstar–with sponsorship and organizing from the Chineke! Foundation.

Dubway records Irish quartet at the Irish Consulate for Panopticon

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Dubway and Panopticon NYC engineers piled into the Irish Consulate on Park Ave earlier this month for a spirited session with a guitar, violin, and woodwind quartet. The recording is part of a shoot organized by friends-of-the-studio Panopticon NYC for the consulate.

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Dubway engineer Mark Frongillo handled the location recording, which combined elements of live concert recording and location audio for film. With our experience doing music, post, location sound, and everything in between, Dubway engineers are a great asset in hybrid situations like this!

Behind-the-scenes production shot of the beautiful shoot location in the Irish Consulate.

Behind-the-scenes production shot of the beautiful shoot location in the Irish Consulate.

Durand Bernarr streams, records from Winston House LA

Singer/songwriter Durand Bernarr took to the stage at Winston House in Venice, CA last week, and Dubway West engineers Patrick Pak and Maja Sazdic were on-site to record the show. The event was aired as a livestream as part of a series of regular Instagram Live shows from the venue, which has continued to stay running (remotely) during the pandemic.

Thanks to Winston House and Durand Bernarr for being great to work with! Check out some photos from the session above, and cheers to a hopefully not-too-far future where live music is back.

"The Lumineers: Live From The Artist's Den" gets theatrical release April 1st

The Lumineers; photo courtesy NPR.

The Lumineers; photo courtesy NPR.

Longtime Dubway partner Live From The Artists’ Den will be premiering a previous episode–the 2016 segment featuring 2010s breakout band The Lumineers–as a theatrical release in select cinemas around the country. Dubway was a proud contributor to the episode, sending Chris Montgomery (now of Dubway West) and head engineer Nathaniel Reichman for location mixing and re-recording mixing duties, respectively.

The announced release date as of posting is April 1st. Check out a trailer for the episode below, and stay tuned for tickets!

David Snyder wraps cast album with engineer Violette Furton

Charles Bloom (center), with engineer Violette Furton (right)

Charles Bloom (center), with engineer Violette Furton (right)

Director David Snyder is wrapping up work on the musical Pablo, a collaboration with composer Charles Bloom about the life of the titular artist. With engineer Violette Furton, who Snyder and Bloom have previously recorded with, they had a smooth session of vocal pick-ups to put the finishing touches on the cast album. David Snyder directed the session remotely, with Bloom in the control room to produce on-site.

We’ll post once the album is available to the public; in the meantime, you can check out our previous write-up of Snyder’s work at Dubway here.

Jonathan Reid Gealt, Mario Jose, at Dubway West

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The newest album from Jonathan Reid Gealt is a geographically diverse affair, with talent located all over the world and no one traveling. For vocalist Mario Jose in Los Angeles, getting to Dubway to record with Gealt meant a quick trip to our L.A. branch, Dubway West. Check out some pictures from our bi-coastal session above and below, read previous coverage of Gealt’s sessions here and here, and stay tuned for release information on the record!

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John Luther Adams preps new release, "Arctic Dreams"

Composer John Luther Adams; still taken from interview with the Milwaukee Symphony Orchestra.

Composer John Luther Adams; still taken from interview with the Milwaukee Symphony Orchestra.

John Luther Adams is preparing a new release, following the release of his memoir Silences So Deep in December–the thematically related Arctic Dreams, forthcoming on Cold Blue Music this spring. The album is beautifully performed by Synergy Vocals, and was recorded and mixed by Dubway lead engineer Nathaniel Reichman (a longtime collaborator of Adams’), with assistant vocal editing by studio engineer Keenan DuBois.

The composer writes,

This was the first music I composed in my ‘aeolian’ sound world, which grew out of my experiences listening to wind harps on the tundra. As in several of my later string quartets, all the sounds are produced by natural harmonics and open strings. . . . Extensive retuning of the strings is employed.

The sung text is a series of ‘Arctic Litanies,’ composed of the names of Arctic places, plants, birds, weather, and the seasons, in the languages of the Iñupiat (Alaska Inuit) and Gwich’in (Athabascan) peoples of Alaska.

Arctic Dreams is dedicated to the memory of my dear friend Barry Lopez, and is titled after one of his greatest books.

The album will be available at Cold Blue Music (link above) as well as through digital stores this spring.

You can listen to or purchase Adams’ previous release, the towering, collected trilogy of Become albums (also mixed by Reichman)–Become River, Become Ocean, and Become Desertat the artist’s Bandcamp page, in stereo, 5.1 surround, and Dolby Atmos surround formats.